작자미상 화조도 조선|作者未詳 花鳥圖 朝鮮|Birds and Flowers

Unidentified artist

late 19th–early 20th century · Ten-panel folding screen; ink and color on silk · Asian Art

작자미상 화조도 조선|作者未詳 花鳥圖 朝鮮|Birds and Flowers — Unidentified artist

By the tenth century, bird-and-flower painting was an established genre in East Asian painting. In Korea folding screens on this subject became prevalent in the late Joseon period and continued to be popular in the twentieth century. Carefully painted and composed, the scenes on this colorful screen are characterized by meticulous depictions. Each panel portrays one or more pairs of birds resting on or flying around a blossoming plant, a tree, or reeds. Other species appear as well, including insects and the marine life seen in the fifth panel. Many of the motifs have poetic meaning and embody wishes for wealth, career advancement, longevity, and fertility. The symbolism of male-female bird pairings—such as mandarin ducks, known to mate for life—made such screens suitable for wedding ceremonies or a bridal chamber.

Artist
Unidentified artist
Date
late 19th–early 20th century
Medium
Ten-panel folding screen; ink and color on silk
Culture
Korea
Department
Asian Art
Credit line
Purchase, The Vincent Astor Foundation Gift and John M. Crawford Jr. Bequest, 1993

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