William Hogarth|John Vandergucht|Jean-Baptiste Poquelin Molière
ca. 1732 · Engraving; second state of two · Drawings and Prints
Frontispiece to Moliere's "L'Avare" (The Miser)William Hogarth|John Vandergucht|Jean-Baptiste Poquelin Molière
Hudibras Wooing the Widow (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 13)Samuel Butler|William Hogarth
Scene From A ComedyCornelis Troost|Jacob Buys|Cornelis Troost
AfterWilliam Hogarth
BeforeWilliam Hogarth|Dent
BeforeWilliam Hogarth
L'Anglais a la Promenade Tout DéconcertéAnonymous, French, 18th century
Gulliver Presented to the Queen of Babilary, Frontispiece to "The Travels of Mr. John Gulliver"Pierre Francois Guyot Desfontaine|John Lockman|William Hogarth|Gerard Vandergucht
AfterWilliam Hogarth
AfterWilliam Hogarth|Dent
BeforeWilliam Hogarth
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau