Before
William Hogarth|Dent
1790–1810 · Engraving · Drawings and Prints

- Artist
- William Hogarth|Dent
- Date
- 1790–1810
- Medium
- Engraving
- Department
- Drawings and Prints
- Credit line
- Harris Brisbane Dick Fund, 1932
William Hogarth|Dent
1790–1810 · Engraving · Drawings and Prints

BeforeWilliam Hogarth
BeforeWilliam Hogarth
AfterWilliam Hogarth
AfterWilliam Hogarth|Dent
AfterWilliam Hogarth
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
A Harlot's Progress, Plate 2William Hogarth
The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog, in the with Donna TheresaWilliam Hogarth|Lucius Madaurensis Apuleius|Charles Gildon
Hudibras Catechized (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 14)Samuel Butler|William Hogarth
The New Metamorphosis, Plate 6: The Story of Cupid and PsycheCharles Gildon|Lucius Madaurensis Apuleius|William Hogarth
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste Tilliard|Pierre Didot l'ainé