William Hogarth|Lucius Madaurensis Apuleius|Charles Gildon
1724 · Etching and engraving · Drawings and Prints
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
The New Metamorphosis, Plate 6: The Story of Cupid and PsycheCharles Gildon|Lucius Madaurensis Apuleius|William Hogarth
Gulliver Presented to the Queen of Babilary, Frontispiece to "The Travels of Mr. John Gulliver"Pierre Francois Guyot Desfontaine|John Lockman|William Hogarth|Gerard Vandergucht
The New Metamorphosis, Plate 7: The Cardinal, a Hermit and Donna Angela Holding FantasioWilliam Hogarth|Charles Gildon|Lucius Madaurensis Apuleius
Pastoral, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds"John Hamilton Mortimer|Sir Joshua Reynolds
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste Tilliard|Pierre Didot l'ainé
BeforeWilliam Hogarth|Dent
Cassandra, Frontispiece, Vol. 3William Hogarth|Gautier de Coste de La Calprenède
The Disciples at the TombJean Honoré Fragonard|Jacopo Tintoretto (Jacopo Robusti)
Vertumnus and Pomona, from 'Game of Mythology' (Jeu de la Mythologie)Stefano della Bella|Jean Desmarets de Saint-Sorlin|Henri Le Gras|Louis XIV, King of France|Cardinal Jules Mazarin
Young Father Distressed by His Growing FamilyLouis Joseph Watteau, called Watteau de Lille
The Young Girl RestingFrançois Boucher