Pierre Francois Guyot Desfontaine|John Lockman|William Hogarth|Gerard Vandergucht
February 1730 · Etching and engraving · Drawings and Prints
The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog, in the with Donna TheresaWilliam Hogarth|Lucius Madaurensis Apuleius|Charles Gildon
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
BeforeWilliam Hogarth
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
Queen, from the Dance of DeathWenceslaus Hollar|Hans Holbein the Younger
An Aged Soldier and An Aged Lover Are Sad Sights, from "Mascarades"Robert Boissard|Jean Jacques Boissard
Gallica in Vestitu Varietas, from Fashions of Different NationsPieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I
BeforeWilliam Hogarth|Dent
Hispani et Hispanae in Vestitu Cultus, from Fashions of Different NationsPieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I
Germanicus Habitus, from Fashions of Different NationsPieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I
Pastoral, from "Fifteen Etchings Dedicated to Sir Joshua Reynolds"John Hamilton Mortimer|Sir Joshua Reynolds
The New Metamorphosis, Plate 6: The Story of Cupid and PsycheCharles Gildon|Lucius Madaurensis Apuleius|William Hogarth