Goya (Francisco de Goya y Lucientes)
1816 · Etching, burnished aquatint, burin · Drawings and Prints
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rulesGoya (Francisco de Goya y Lucientes)
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnousGoya (Francisco de Goya y Lucientes)
Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at MadridGoya (Francisco de Goya y Lucientes)
Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the openGoya (Francisco de Goya y Lucientes)
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his bodyGoya (Francisco de Goya y Lucientes)
Plate 19 of "La Tauromaquia": Another madness of his in the same ringGoya (Francisco de Goya y Lucientes)
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other armsGoya (Francisco de Goya y Lucientes)![Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/74/74ae9a1835c588a0fc1a3099a9e0b85baf1c6e925cf4a55c7b36491585a9b4a2/graph.webp)
Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at ZaragozaGoya (Francisco de Goya y Lucientes)
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosureGoya (Francisco de Goya y Lucientes)
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bullGoya (Francisco de Goya y Lucientes)
Plate 8 from the 'Tauromaquia': A Moor Caught by the Bull in the ring.Goya (Francisco de Goya y Lucientes)
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with ballsGoya (Francisco de Goya y Lucientes)