Goya (Francisco de Goya y Lucientes)
1816 · Etching, burnished aquatint, drypoint · Drawings and Prints
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at MadridGoya (Francisco de Goya y Lucientes)
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with ballsGoya (Francisco de Goya y Lucientes)
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his bodyGoya (Francisco de Goya y Lucientes)
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillasGoya (Francisco de Goya y Lucientes)
Plate 8 from the 'Tauromaquia': A Moor Caught by the Bull in the ring.Goya (Francisco de Goya y Lucientes)
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rulesGoya (Francisco de Goya y Lucientes)
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bullGoya (Francisco de Goya y Lucientes)
Plate 25 from "La Tauromaquia": They loose dogs on the bullGoya (Francisco de Goya y Lucientes)
Plate 19 of "La Tauromaquia": Another madness of his in the same ringGoya (Francisco de Goya y Lucientes)
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other armsGoya (Francisco de Goya y Lucientes)
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of TorrejonGoya (Francisco de Goya y Lucientes)
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horseGoya (Francisco de Goya y Lucientes)