Goya (Francisco de Goya y Lucientes)
1816 · Etching, burnished aquatint, drypoint · Drawings and Prints
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bullGoya (Francisco de Goya y Lucientes)
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of TorrejonGoya (Francisco de Goya y Lucientes)
Plate C: The dogs let loose on the bull, from "Tauromaquia"Goya (Francisco de Goya y Lucientes)
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with ballsGoya (Francisco de Goya y Lucientes)
Plate 8 from the 'Tauromaquia': A Moor Caught by the Bull in the ring.Goya (Francisco de Goya y Lucientes)
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rulesGoya (Francisco de Goya y Lucientes)
Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistantsGoya (Francisco de Goya y Lucientes)
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at MadridGoya (Francisco de Goya y Lucientes)
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his bodyGoya (Francisco de Goya y Lucientes)
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ringGoya (Francisco de Goya y Lucientes)
Plate 10 from 'La Tauromaquia': Charles V spearing a bull in the ring at ValladolidGoya (Francisco de Goya y Lucientes)
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at MadridGoya (Francisco de Goya y Lucientes)