Goya (Francisco de Goya y Lucientes)
1816 · Etching, burnished aquatint, drypoint, burin · Drawings and Prints
![Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza — Goya (Francisco de Goya y Lucientes)](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/74/74ae9a1835c588a0fc1a3099a9e0b85baf1c6e925cf4a55c7b36491585a9b4a2/full.webp)
Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistantsGoya (Francisco de Goya y Lucientes)
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bullGoya (Francisco de Goya y Lucientes)
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rulesGoya (Francisco de Goya y Lucientes)
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horseGoya (Francisco de Goya y Lucientes)
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillasGoya (Francisco de Goya y Lucientes)
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bullGoya (Francisco de Goya y Lucientes)
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosureGoya (Francisco de Goya y Lucientes)
Plate 19 of "La Tauromaquia": Another madness of his in the same ringGoya (Francisco de Goya y Lucientes)
Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at MadridGoya (Francisco de Goya y Lucientes)
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with ballsGoya (Francisco de Goya y Lucientes)
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his bodyGoya (Francisco de Goya y Lucientes)
Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at ValladolidGoya (Francisco de Goya y Lucientes)