清原雪信筆　緋連雀桜竹図|Waxwings, Cherry Blossoms, and Bamboo

Kiyohara Yukinobu

late 17th century · Hanging scroll; ink and color on silk · Asian Art

Kiyohara Yukinobu was known in the early Edo period as a “woman highly accomplished in the arts,” or keishū. Her husband was a pupil of Kano Tan’yū, one of the most prominent painters of the age, and she herself, as Tan’yū’s grandniece, may have studied with him. Here, she depicts three waxwings (Japanese: hirenjaku) in various poses: one rests serenely on the branch of an aged cherry tree in full bloom, indicating a late spring setting; one is captured in flight; and the third perches on a rock, espying insect prey in a stream. Since waxwings, after mating, rub their heads together in a way that suggests a display of mutual affection, they came to be a symbol of marital harmony and familial prosperity, which is one possible interpretation of the painting.

Artist

Kiyohara Yukinobu

Date

late 17th century

Medium

Hanging scroll; ink and color on silk

Culture

Japan

Department

Asian Art

Credit line

Fishbein-Bender Collection, Gift of T. Richard Fishbein and Estelle P. Bender, 2012