清/現代 齊白石 鯰魚圖 軸|Catfish
Qi Baishi
dated 1937 · Hanging scroll; ink on wrapping paper · Asian Art

Qi Baishi's great admiration for the paintings of Bada Shanren (1626–1705), in which a few deft brushstrokes might conjure forth a fish, bird, or plant that is at once beguilingly simple yet psychologically complex, convincingly solid yet set within a composition that is spatially ambiguous, is conveyed in his frankly imitative Catfish, with its self-mocking inscription: I once saw Zhu Xuege's [Bada's] painting of a small fish less than three inches long and filled with natural vitality. Today, I took a piece of old wrapping paper and painted on it this [fish], which measures more than ten inches in length. But mine is not as skilled and sturdy as Xuege's. I feel ashamed! (Wen Fong, trans., Between Two Cultures: Late-Nineteenth- and Early-Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art [New York: The Metropolitan Museum of Art, 2001], p. 161)
- Artist
- Qi Baishi
- Date
- dated 1937
- Medium
- Hanging scroll; ink on wrapping paper
- Culture
- China
- Department
- Asian Art
- Credit line
- Gift of Robert Hatfield Ellsworth, in memory of La Ferne Hatfield Ellsworth, 1986











