現代　齊白石　紅梅圖　軸|Plum Blossoms

Qi Baishi

dated 1950 · Hanging scroll; ink and color on paper · Asian Art

This painting of a mauve blossoming plum is unusual in Qi Baishi's oeuvre because Qi loved the cheerfulness of bright red and usually painted plum blossoms in that color. The pendant branches intersect with one another, forming an abstract network of calligraphic lines that is barely organic. Qi Baishi's later plum paintings are primarily inspired by Wu Changshuo (1844–1927), who introduced an epigraphic aesthetic to the art of painting. In this work, the absence of spatial depth, the even width and smooth turns of the twigs, and the pronounced parallelism of the interlaced branches attest to Qi's indebtedness to Wu as well as his solid discipline in seal-carving and epigraphy. Qi's paintings are first of all reflections of things and feelings that he had personally experienced in life. In the case of plum blossoms, his fondness of this subject resulted from nostalgia for his hometown in Hunan, where his dwelling, named "Studio of Hundred Plums," was surrounded by a plum grove.

Artist

Qi Baishi

Date

dated 1950

Medium

Hanging scroll; ink and color on paper

Culture

China

Department

Asian Art

Credit line

The Lin Yutang Family Collection, Gift of Richard M. Lai, Jill Lai Miller, and Larry C. Lai, in memory of Taiyi Lin Lai, 2005