Eucharistic Dove

Unknown

ca. 1215–35 · Gilded copper with champlevé enamel · Medieval Art

Rich with gilding, its overall surface engraved and enameled in a pattern that suggests layers of feathers, this dove would have hung over an altar as an evocation of the Holy Spirit. A tear-shaped door on its back conceals a small cavity once used to hold the bread of the Eucharist. Though many textual sources mention gold and silver doves, suggesting these materials were part of the standard liturgical furnishings for churches and communities that could afford them, few examples survive. On the other hand, doves of Limoges work fashioned from copper and enameled in brilliant colors exist in large numbers.

Artist

Unknown

Date

ca. 1215–35

Medium

Gilded copper with champlevé enamel

Culture

French

Department

Medieval Art

Credit line

Gift of J. Pierpont Morgan, 1917