Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles'

Gerard de Jode|Monogrammist G.A. & the Caltrop|Lambert Suavius

1554 · Etching · Drawings and Prints

Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles' — Gerard de Jode|Monogrammist G.A. & the Caltrop|Lambert Suavius

Perspectival depiction of a temple, suggested to be the ‘Tenplum [sic] Iovis Ultoris’. The building is characterized by its central plan and placed on podium with three steps which follows the shape of the building’s circular floorplan. The building has two main floors. The ground floor is marked by a portico, while the second has rectangular windows, crowned by pediments and flanked by pilasters. The building is crowned by a domed lantern which is supported by a drum decorated with C-volutes. While the building appears to be fantastical in nature, it bears some resemblance to Bramante’s ‘Tempietto’ and the centralized temples depicted by Raphael and Perugino in their respective versions of the ‘Sposalizio’, and in the latter artist’s ‘Delivery of the Keys’. This print and several others in this series published by Gerard de Jode were copied after a group of Italian architectural prints, previously attriputed to the Master G. A. with the Caltrop, and first published in Rome between 1530 and 1550. The prints depict buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. Suavius added the small face on the top right, which is not part of the original.

Artist
Gerard de Jode|Monogrammist G.A. & the Caltrop|Lambert Suavius
Date
1554
Medium
Etching
Department
Drawings and Prints
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1948

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