Jacques Callot
ca. 1621–35 · Engraving; second state · Drawings and Prints
Athena seated near Juno who has taken away Cupid's arrows, set within an elaborate frame, from "Loves, Rages and Jealousies of Juno"Giulio Bonasone
NativityAnonymous, Italian, 16th century|Parmigianino (Girolamo Francesco Maria Mazzola)
The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog, in the with Donna TheresaWilliam Hogarth|Lucius Madaurensis Apuleius|Charles Gildon
NativityAnonymous, Italian, 17th century|Parmigianino (Girolamo Francesco Maria Mazzola)
NativityAnonymous, Italian, 16th century|Parmigianino (Girolamo Francesco Maria Mazzola)
Tantalus at left speaking to Diana at right, set within an elaborate frame, from "Loves, Rages and Jealousies of Juno"Giulio Bonasone
Cassandra, Frontispiece, Vol. 3William Hogarth|Gautier de Coste de La Calprenède
Adoration of the ShepherdsAertgen Claesz. van Leyden
A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
The New Metamorphosis, Plate 6: The Story of Cupid and PsycheCharles Gildon|Lucius Madaurensis Apuleius|William Hogarth
The Holy FamilyFrancesco Primaticcio|Jean Mignon
Hope personified as a woman standing in a niche facing right, holding a container of unleavened bread in both hands, from 'The Virtues'Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)