Goya (Francisco de Goya y Lucientes)
1816 · Etching, burnished aquatint, burin · Drawings and Prints
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ringGoya (Francisco de Goya y Lucientes)
Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the openGoya (Francisco de Goya y Lucientes)
Plate 2 from "La Tauromaquia": Another way of hunting on footGoya (Francisco de Goya y Lucientes)
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with ballsGoya (Francisco de Goya y Lucientes)
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bullGoya (Francisco de Goya y Lucientes)
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnousGoya (Francisco de Goya y Lucientes)
Plate 8 from the 'Tauromaquia': A Moor Caught by the Bull in the ring.Goya (Francisco de Goya y Lucientes)
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)Goya (Francisco de Goya y Lucientes)
Plate C: The dogs let loose on the bull, from "Tauromaquia"Goya (Francisco de Goya y Lucientes)
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bullGoya (Francisco de Goya y Lucientes)
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of TorrejonGoya (Francisco de Goya y Lucientes)
Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)Goya (Francisco de Goya y Lucientes)