Félix Bracquemond|Alfred Cadart|Auguste Delâtre
1862 · Etching and drypoint; third state of three · Drawings and Prints
Gefallener Reiter, from the series IntermezziMax Klinger
Siesta I, from the series Radierte SkizzenMax Klinger
Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)Goya (Francisco de Goya y Lucientes)
Simplicius am Grabe des Einsiedlers, from the series IntermezziMax Klinger
Plate 8 from "Tauromaquia": A moor caught by the bull in the ringGoya (Francisco de Goya y Lucientes)
Brumes du matinFélix Bracquemond
Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)Goya (Francisco de Goya y Lucientes)
Bacchanal with young Bacchus grasping grapes in his raised left hand; at left a satyr, putti, and a donkey crowd around Bacchus; at right a she-goat suckles a child and women pass a bowl; from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dancesPierre Brebiette|François Langlois
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)Goya (Francisco de Goya y Lucientes)
Two Magicians and a Child, from the ScherziGiovanni Battista Tiepolo
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)Goya (Francisco de Goya y Lucientes)
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra)Goya (Francisco de Goya y Lucientes)