Goya (Francisco de Goya y Lucientes)
ca. 1816 · Etching, burnished aquatint, drypoint · Drawings and Prints
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ringGoya (Francisco de Goya y Lucientes)
Plate 8 from the 'Tauromaquia': A Moor Caught by the Bull in the ring.Goya (Francisco de Goya y Lucientes)
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open countryGoya (Francisco de Goya y Lucientes)
Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)Goya (Francisco de Goya y Lucientes)
'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his bodyGoya (Francisco de Goya y Lucientes)
Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)Goya (Francisco de Goya y Lucientes)
Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)Goya (Francisco de Goya y Lucientes)
Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at ZaragozaGoya (Francisco de Goya y Lucientes)
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at MadridGoya (Francisco de Goya y Lucientes)
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with ballsGoya (Francisco de Goya y Lucientes)
'Merry Folly' from the 'Disparates' (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)