The Garden of Love (right block)

Christoffel Jegher|Peter Paul Rubens

1630s · Woodcut · Drawings and Prints

Having realized the potential profits to be made from reproductive prints of his work, Rubens began to engage printmakers from 1619 onward. In the early 1630s, he turned to woodcuts in close collaboration with Christoffel Jegher. Indeed, Jegher's place in art history as the most important woodcutter of his time rests exclusively on the nine large single-page woodcuts that resulted from this collaboration. The Garden of Love is a variation of a picture by Rubens from the 1630s (Museo del Prado, Madrid). Two drawings by Rubens (finished by Jegher; see 58.96.1,.2) served as models. The woodcuts reproduce these drawings in reverse. The drawings, and consequently the prints, transform the composition of the painting into a frieze, most notably by dividing it into two separate parts, pushing the figures to the foreground and cropping the architecture at the top. The inherent nature of the coarse woodcut medium and the effect that could be achieved with it were fully exploited, particularly in the rendering of the human form.

Artist

Christoffel Jegher|Peter Paul Rubens

Date

1630s

Medium

Woodcut

Department

Drawings and Prints

Credit line

Harris Brisbane Dick Fund, 1930