Untitled I
Cy Twombly|Universal Limited Art Editions
1967 (1967–74, dated 1967) · Open-bite etching with aquatint · Drawings and Prints
In Untitled I, Twombly focuses on the physical process of mark-making, highlighting through exaggeration the rhythmic quality of the gesture. Despite mimicking script, the looped, linear forms convey neither information nor narrative, thus turning writing into an abstraction. The dark palette evokes a blackboard (a reference the artist also explored in paintings during this period), an effect achieved by layering black ink over white before printing the etched plate. The allover composition and fluid lines recall works by Abstract Expressionists, yet the regularity and repetition of both horizontal bands and looped forms reject such influence. Unlike clearly articulated, finely modeled calligraphic marks, Twombly’s loosely drawn forms show variations in structure, size, and tone, the latter of which he encouraged by using the open bite etching technique.
- Artist
- Cy Twombly|Universal Limited Art Editions
- Date
- 1967 (1967–74, dated 1967)
- Medium
- Open-bite etching with aquatint
- Department
- Drawings and Prints
- Credit line
- John B. Turner Fund, 1974
