Goya (Francisco de Goya y Lucientes)
1799 · Etching, aquatint, drypoint · Drawings and Prints
Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)Goya (Francisco de Goya y Lucientes)
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)Goya (Francisco de Goya y Lucientes)
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)Goya (Francisco de Goya y Lucientes)
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)Goya (Francisco de Goya y Lucientes)
Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)Goya (Francisco de Goya y Lucientes)
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)Goya (Francisco de Goya y Lucientes)
Plate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)Goya (Francisco de Goya y Lucientes)
Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)Goya (Francisco de Goya y Lucientes)
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)Goya (Francisco de Goya y Lucientes)
Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos)Goya (Francisco de Goya y Lucientes)
Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.)Goya (Francisco de Goya y Lucientes)
A Femme avare galant Escroc, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"Jean Honoré Fragonard|Jean de La Fontaine|Jacques Aliamet|Pierre Didot l'ainé