Goya (Francisco de Goya y Lucientes)
1797–98 · Etching, aquatint, drypoint · Drawings and Prints
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)Goya (Francisco de Goya y Lucientes)
Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)Goya (Francisco de Goya y Lucientes)
Plate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir)Goya (Francisco de Goya y Lucientes)
Plate 6 from "Los Caprichos": Nobody knows himself (Nadie se conoce)Goya (Francisco de Goya y Lucientes)
Plate 28 from "Los Caprichos": Hush (Chiton)Goya (Francisco de Goya y Lucientes)
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)Goya (Francisco de Goya y Lucientes)
Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)Goya (Francisco de Goya y Lucientes)
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)Goya (Francisco de Goya y Lucientes)
Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)Goya (Francisco de Goya y Lucientes)
Old Beggar WomanAlexandre-Gabriel Decamps
Plate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)Goya (Francisco de Goya y Lucientes)
Le Cocu battu et content, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"Jean de La Fontaine|Jean Honoré Fragonard|Jean-Louis Delignon|Pierre Didot l'ainé