Anonymous, Italian, Piedmontese, 18th century
1750–75 · Pen and brown ink, brush with gray and brown wash, partially laid down on blue paper · Drawings and Prints
Halved Variant Designs for un Altar with the Virgin of the Immaculate Conception in the Central CartoucheAnonymous, Italian, Piedmontese, 18th century
Design for a Decorated Ceiling with Statues and StuccoVittorio Maria Bigari
Interior of a ChapelAnonymous, Italian, Bolognese 18th century artist
Design for the Transeptal Altars in the Klosterkirche ZwiefaltenJohann Michael Feichtmayr
Design for the Base of a CandelabrumAnonymous, Italian, 17th century
Elevation for a Catafalque Surmounted by Squat Obelisk, Decorated with Statues of Putti and Female FiguresGiuseppe Galli Bibiena
A Chapel with Figures of Statues en Grisaille of Faith, Hope and Charity and 4 Putti with Symbols of the Passion.Giuseppe Galli Bibiena
Design for a "Quarantore" DecorationFederico Zuccaro (Zuccari)
Cabinet de Mr le Compte Bielinski, from "Oeuvres de Juste Aurelle Meissonnier"Juste Aurèle Meissonnier|Pierre Chenu|Gabriel Huquier
Design for a Freestanding Altar dedicated to the Assumption of the VirginGiovanni Larciani ("Master of the Kress Landscapes")
Drawing for a Palace DecorationAnonymous, Italian, Bolognese 18th century artist
Design for an Elaborate Doorway with a Vaulted Ceiling Behind, and a Curtain Drawn Across the OpeningAnonymous, Italian, Piedmontese, 18th century