Ensemble

Gilbert Adrian

ca. 1948 · synthetic · Costume Institute

Gilbert Adrian designed numerous ensembles for his friend and client, Millicent Rogers (1902-1953), yet few as personal as this dress. Adrian and his wife introduced Rogers to the American southwest by inviting her to Taos area in 1947, igniting a love of the region that lasted for the remainder of Rogers' life. She named the home she bought there "Turtlewalk." Here, Adrian used an appropriate turtle pattern for Rogers and a design that referenced the long fringe of Native American women's traditional dress. Incorporation of these elements suited Rogers, who preferred to wear fashionable garments that referenced local traditional clothing when in residence at each of her homes around the world. With her keen interest in Native American art and folklore, Rogers may also have appreciated her friend's choice of the turtle pattern for its symbolic meaning; the turtle figures prominently in some Native American creation stories and is a symbol of balance, patience, tenacity and self-reliance.

Artist

Gilbert Adrian

Date

ca. 1948

Medium

synthetic

Culture

American

Department

Costume Institute

Credit line

Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Arturo and Paul Peralta-Ramos, 1955