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17th–18th century · Four manuscript pages; ink and metallic pigments (gold) on paper · Asian Art
伝源俊頼 『三宝絵詞』 （東大寺切）|Page from the Illustrations and Explanations of the Three Jewels (Sanbō ekotoba), known as the Tōdaiji Fragment (Tōdaiji-gire)Minamoto no Toshiyori
瓦礫雑考|Gareki zakko, Vol. 2 (notes on miscellaneous rubble)Unknown
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UntitledKodai no Kimi (Koōgimi)
藤原教長筆『古今和歌集』断簡「今城切」|Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire)Fujiwara no Norinaga
明 二家法書合卷|Joint CalligraphyNi Yuanlu|Huang Daozhou
柳江書 連歌集『老葉』より「旅」|Manuscript Version of the “Travel” Section of the Linked Verse (Renga) Collection “Aged Leaves” (Wakuraba), compiled by Sōgi (1421–1502)Ryūkō
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伝源俊頼書 『三宝絵詞』断簡 （東大寺切）|Page from Illustrations and Explanations of the Three Jewels (Sanbō e-kotoba), one of the “Tōdaiji Fragments” (Tōdaiji-gire)Minamoto no Toshiyori
消息|Letter to the Nun JōjūbōMyōe Kōben 明恵高弁
『西本願寺本 三十六人家集』の内 『伊勢集』断簡「石山切」|Page from the Collection of Poems by Lady Ise (Ise shū)Unknown
伝阿仏尼書 『続古今和歌集』断簡|Two Poems from the Collection of Poems Ancient and Modern, Continued (Zoku Kokin wakashū)Nun Abutsu