Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5)

Thomas Macklin|Henry William Bunbury|Princess Frederica Charlotte of Prussia|William Shakespeare|Michele Beneditti

May 30, 1793 · Stipple engraving and etching · Drawings and Prints

Bunbury's "Shakespeare" consisted of twenty-prints published between 1792 and 1797, issued periodically in sets of four. The publisher Thomas Macklin was inspired by the success of Boydell's Shakespeare Gallery to open a rival Poets Gallery in 1787. He then commissioned a set of large watercolors from Bunbury of comic Shakesperean subjects with related prints issued by subscription. The artist was the younger son in an old gentry family who had amused fellow students with comic drawings at Westminster School in London, then at Cambridge University. He became a friend of Thomas Rowlandson, who etched many Bunbury designs. Most of Bunbury's income came, however, from army positions and the patronage of the Duke of York, whom he served as equerry. The Shakespeare series of watercolors rank among the artist's most ambitious and soon belonged to the Duchess of York. Michele Bennediti, a follower of Francesco Bartolozzi, produced this stipple engraving of a famous scene near the end of "The Merry Wives of Windsor." The housewives Mrs. Ford and Mrs. Page have arranged to meet Falstaff in Windsor Forest at night. He hopes to seduce them, and is unaware of their elaborate scheme to fend off his repeated and unwelcome attentions.

Artist

Thomas Macklin|Henry William Bunbury|Princess Frederica Charlotte of Prussia|William Shakespeare|Michele Beneditti

Date

May 30, 1793

Medium

Stipple engraving and etching

Department

Drawings and Prints

Credit line

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018