Enamel from a Reliquary

Master of the Virgin Mary's Reliquary Casket

early 13th century · Champlevé & cloisonné enamel, copper-gilt · The Cloisters

These delicately patterned enamels once formed part of a large shrine (perhaps as much as six feet long) to contain the precious remains of Christian saints. The rectangular plaques would have been set horizontally or vertically as border decoration; the medallion served as a decorative halo for a statuette of a saint. The lavish attention given to these small elements is a testament to the importance of the commission and to the skill of the goldsmith. When such shrines were restored in the 19th and early 20th centuries, original plaques were sometimes replaced with modern copies in impeccable condition, and originals like these were sold to collectors.

Artist

Master of the Virgin Mary's Reliquary Casket

Date

early 13th century

Medium

Champlevé & cloisonné enamel, copper-gilt

Culture

German

Department

The Cloisters

Credit line

Purchase, Gift of The Hearst Foundation and Rogers Fund, by exchange, 2008