Triptych with the Way to Calvary, the Crucifixion, and the Disrobing of Jesus

Unknown

ca. 1400–1420 · Gilded copper, silver and paint · Medieval Art

Made as an object of private devotion for an affluent patron, this triptych is a virtuoso example of Parisian goldsmiths' art of the early fifteenth century. Christ, the group of mourners, and the soldiers on the central panel are reliefs of uncolored silver. By contrast, the two thieves in the gilded background, as well as the Carrying of the Cross and Christ Disrobed on the wings, are rendered in pointillé (stippling). In this technique, the goldsmith's hammer hits a very fine stamp repeatedly into the metal ground, leaving a multitude of indentations. Their varying thickness and concentration establish shadows, depth, and the overall legibility of the composition. The refinement and the difficulty involved (this method allows no correction) appealed greatly to members of the Valois court, who were the principal commissioners of such objects.

Artist

Unknown

Date

ca. 1400–1420

Medium

Gilded copper, silver and paint

Culture

Netherlandish or French

Department

Medieval Art

Credit line

Gift of J. Pierpont Morgan, 1917