Engaged molding on a polyptych panel

Unknown

ca. 1435–40 · Poplar. Carved, gilt: deep red bole. · Robert Lehman Collection

Engaged molding on a polyptych panel — Unknown

Only the lancet top, which itself has suffered damage, survives of the engaged frame on this "Madonna and Child Enthroned with Two Cherubim" that John Pope-Hennessy has attributed to the Osservanza Master. Nevertheless, the narrow chamfered molding, with its arch echoing the perspective of the picture, lends an architectural strength to the enthroned Virgin and Child, and the remaining crockets still suggest stylized palm fronds arching over their heads. As the center panel of a large polyptych, the "Madonna and Child" would not originally have had engaged moldings along its sides, but would have been separated visually from its lateral panels by applied, perhaps spiral, colonettes. The lancet top was probably itself engaged to an extension of the main panel forming a triangular gable above it.

Artist
Unknown
Date
ca. 1435–40
Medium
Poplar. Carved, gilt: deep red bole.
Culture
Sienese
Department
Robert Lehman Collection
Credit line
Robert Lehman Collection, 1975

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