Unknown
ca. 1600 · Ink, opaque watercolor, and gold on paper · Islamic Art
This leaf of calligraphy is a signed example of Mir’Ali’s nasta’liq executed in cutout paper.
Album Leaf with Shi'a InvocationUnknown
Page of Calligraphy from the Bellini AlbumSultan Muhammad Nur
"Nushirvan Greets the Khaqan's Daughter", Folio 633v from the Shahnama (Book of Kings) of Shah TahmaspDust Muhammad|Abu'l Qasim Firdausi
Farhad and ShirinVahshi Bafqi
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of GanjaJa'far Baisunghuri|Nizami
Illuminated Opening Page Titled Laila and Majnun from a Khamsa (Quintet) of Nizami of GanjaJa'far Baisunghuri|Nizami
"Mihrab Vents His Anger Upon Sindukht", Folio 83v from the Shahnama (Book of Kings) of Shah TahmaspQadimi|'Abd al-Vahhab|Abu'l Qasim Firdausi
"Unwan", Folio from the Shah Jahan AlbumMir 'Ali Haravi
Calligraphic ExerciseUnknown
"The Marriage of Sudaba and Kai Kavus", Folio 130r from the Shahnama (Book of Kings) of Shah TahmaspMir Musavvir|Qasim ibn 'Ali|Abu'l Qasim Firdausi
"Fifth Joust, The Death of Simurgh by the Hands of Isfandiyar," Folio from a Shahnama (Book of Kings)Abu'l Qasim Firdausi
"Allusion to Sura 27:16", Folio from a Mantiq al-Tayr (Language of the Birds)Farid al-Din `Attar|Sultan 'Ali al-Mashhadi