Francesco I d'Este Freely Crosses the Po and Takes Up his Sword Against Troops in the Vinyard of the Opposite Bank where the Spanish had Settled to Impede his Crossing, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]

Domenico Gamberti|Jean Sauvé|Bartolomeo Fenice (Fénis)

1659 · Etching · Drawings and Prints

Francesco I d'Este Freely Crosses the Po and Takes Up his Sword Against Troops in the Vinyard of the Opposite Bank where the Spanish had Settled to Impede his Crossing, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] — Domenico Gamberti|Jean Sauvé|Bartolomeo Fenice (Fénis)

This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...] collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.

Artist
Domenico Gamberti|Jean Sauvé|Bartolomeo Fenice (Fénis)
Date
1659
Medium
Etching
Department
Drawings and Prints
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959