Jacques Callot
ca. 1621–22 · Etching; first state of two (Lieure) · Drawings and Prints
From a series of 24 plates designed in Florence and published in Nancy. The figures depicted are Italian performers, dancing the "Sfessania."
Le Gentilhomme au Grand Manteau, Vu de Face (The Gentleman with the Large Mantle, Viewed from the Front), from Les Caprices Series B, The Nancy SetJacques Callot|Lorenzo de' Medici
Le Porte-Étendard (The Standard Bearer), from Les Caprices Series B, The Nancy SetJacques Callot|Lorenzo de' Medici
Reverse Copy of Les Deux Pantalons se Regardant (Men in Pantsuits Looking at Each Other), from "Les Caprices"Jacques Callot|Anonymous
Le Porte-Étendard (The Standard Bearer), from Les Caprices Series B, The Nancy SetJacques Callot|Lorenzo de' Medici
Les Deux Pantalons se Regardant (Men in Pantsuits Looking at Each Other), from Les Caprices Series A, The Florence SetJacques Callot|Lorenzo de' Medici
Les Deux Pantalons se Regardant (Men in Pantsuits Looking at Each Other), from Les Caprices Series A, The Florence SetJacques Callot|Lorenzo de' Medici
Reverse Copy of Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from "Les Caprices"Jacques Callot|Anonymous
Un Gentilhomme et Son Page (A Gentleman and his Page), from Les Caprices Series B, The Nancy SetJacques Callot|Lorenzo de' Medici
Reverse Copy of Une Fête sur la Place de la Signoria a Florence (A Festival on the Piazza della Signoria in Florence), from "Les Caprices" Series A, The Florence SetJacques Callot|Anonymous
Le Gentilhomme au Grand Manteau, Vu de Face (The Gentleman with a Large Mantle, Viewed from the Front), from Les Caprices Series A, The Florence SetJacques Callot|Lorenzo de' Medici
Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from Les Caprices Series A, The Florence SetJacques Callot|Lorenzo de' Medici
La Ronde (The Round Dance), from Les Caprices Series B, The Nancy SetJacques Callot|Lorenzo de' Medici