Jacques Callot
ca. 1619–24 · Etching and engraving; first state of two (Lieure) · Drawings and Prints
La Condamnation a Mort (The Condemnation to Death), from La Grande Passion (The Large Passion)Jacques Callot
Le Lavement des Pieds (The Washing of the Feet), from "La Grande Passion" (The Large Passion)Jacques Callot
Plate 2: Alexander Cutting the Gordian Knot, from The Deeds of Alexander the GreatAntonio Tempesta|Johannes Baptista Vrints
A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
Roman Soldiers Before an EmperorGiorgio Ghisi|Giulio Romano
Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles)Jacques Callot|Matteo Rosselli
Le Culte des Hommes (The Worship of Men), from Les Sacrifices (The Sacrifices)Jacques Callot
Plate 17: Illustration to Canto XVII, from Torquato Tasso's 'Gerusalemme liberata III'Antonio Tempesta
Theater DesignAnonymous, French, 18th century
Martyrdom of Saint Simon, from the series 'The little apostles' (Les petits apôtres)Jacques Callot
Plate 15: Civilis Treating with a Roman Commander, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas)Antonio Tempesta|Otto van Veen
Martyrdom of Saint Barnabas, from the series 'The little apostles' (Les petits apôtres)Jacques Callot|Israël Henriet