Stefano della Bella|Israël Henriet
ca. 1642 · Etching; second state of two · Drawings and Prints
Frontispiece, from Les Petites Misères de la Guerre (The Little Miseries of War)Abraham Bosse|Israël Henriet
Frontispiece, from Les Caprices Series A, The Florence SetJacques Callot|Lorenzo de' Medici
Plate 1: Two palms and a coat of arms frame the title and dedication, title page for 'Various Figures' (Agréable diversité de figures)Stefano della Bella|Israël Henriet
Horizontal Panel Design with a Female Figure and Two Fantastical Creatures Interspersed between Acanthus RinceauxPolifilo Giancarli|Anonymous, Italian, Venetian, 17th century
Title page from 'The magnificent pageant on the Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc); two figures holding a curtain inscribed with title and other detailsGiulio Parigi|Anonymous|Remigio Cantagallina|Jean Sauvé
Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus RinceauxPolifilo Giancarli|Anonymous, Italian, Venetian, 17th century
Cartouche with Title: Nouvelles inventions de CartouchesStefano della Bella|La Veuve F. Langlois
Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus RinceauPolifilo Giancarli|Anonymous, Italian, Venetian, 17th century
Expressions des passions de l'AmeCharles Le Brun|Martin Engelbrecht
Frontispiece, from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 1Jacques Callot|Israël Henriet
Cartouche with Title: Nouvelles inventions de CartouchesStefano della Bella|Frederick de Wit|Anonymous, 17th century
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from 'Twelve cartouches' (Recueil de douze cartouches)François Langlois|Stefano della Bella|François Collignon