William Hogarth
before April 1732 · Etching and engraving; first state of three · Drawings and Prints
A Harlot's Progress, Plate 5William Hogarth
A Harlot's Progress, Plate 2William Hogarth
A Harlot's Progress, Plate 2William Hogarth
A Harlot's Progress, Plate 3William Hogarth
Marriage A-la-Mode, Plate VSimon Francis Ravenet, the elder|William Hogarth![[photo-reproduction of Hogarth's print illustrating the Dunciad, Book I, line III]](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/be/be4d4740fb4fd6e705513d1868a1362071585117417ff617e2406bbaffdfdb5e/graph.webp)
[photo-reproduction of Hogarth's print illustrating the Dunciad, Book I, line III]Alfred Capel Cure
A Rake's Progress, Plate 1William Hogarth|Dr. John Hoadley
The Distrest PoetWilliam Hogarth
Marriage A-la-Mode, Plate VIGérard Jean-Baptiste Scotin|William Hogarth
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
AfterWilliam Hogarth
A Harlot's Progress, Plate 3William Hogarth