Anonymous, Italian, 17th or 18th century
17th century · Pen and brown ink with brush and gray wash · Drawings and Prints
Design for a Triumphal ArchAnonymous, Italian, 16th to 17th century
Design for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical FiguresFrancesco Maria Richini (or Ricchino)
Design for Festival Architecture for an Entry into Paris for the King of Sweden, Frederick I of HesseGuillaume Thomas Raphaël Taraval
Elevation of the Pompe de la Samaritaine, ParisRobert de Cotte
Two One Half Variants of a Design for Painted Wall Decoration with Arch and Perspective View Inside (recto). Negligible diagrams and compass drawn circle (verso).Anonymous, Italian, Piedmontese, 18th century
Design for a Triumphal ArchAnonymous, French, 18th century|Anonymous, French, 19th century
Drawing of a Catafalque for Philip II of Spain, 1598Alessandro Casolani della Torre
Design for the Façade of Santi Faustino e Giovita, RomeCarlo Fontana
Design for an Elaborate Doorway with a Vaulted Ceiling Behind, and a Curtain Drawn Across the OpeningAnonymous, Italian, Piedmontese, 18th century
Porta Pia, elevation (recto) Porta Pia, window, elevation; section (verso)Anonymous, French, 16th century
Design for a Tomb, with Ducal Crown at the CenterAnonymous, Italian, Bolognese 18th century artist
Design for a doorway for a chapelAnonymous, British, 17th century