Stefano della Bella
ca. 1640–60 · Etching, letterpress visible on verso · Drawings and Prints
A cartouche with a wreath of laurel and palms, a skull and crossbones at top, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis)Stefano della Bella
Design for a Coat of ArmsAnonymous, Italian, 17th century
A cartouche with a violin coming out of its case, a skull with a helmet with feathers at top, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis)Stefano della Bella
Arms of the Medici with Della RovereStefano della Bella
A cartouche with a loom, a skull at top, bones to either side, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis)Stefano della Bella
Design for Pediment with Two Heraldic Crests, Lions and a CrownAnonymous, French, 18th century|Jean Charles Delafosse
A cartouche with a censer, a skull and crossbones and a grotesque face at top, from 'Eight Emblems for the Funeral of Francesco de Medici' (Huit emblèmes pour les funérailles du prince François de Médicis)Stefano della Bella
Plate 5: a cartouche flanked by Apollo and Pan, from 'Nouvelles inventions de Cartouches'Stefano della Bella
Ornamental PanelAgostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Giovanni da Udine (Giovanni dei Ricamatori)
Plate 7: a cartouche flanked by two satyrs, crowned with half a herm and half a cardinal's hat, from 'Nouvelles inventions de Cartouches'Stefano della Bella
Ornament PanelAgostino Veneziano (Agostino dei Musi)
Modern Grotesque with StrapworkJohannes van Doetecum I|Lucas van Doetecum|Cornelis Floris II|Hieronymus Cock