Molton and Co.|Samuel Ireland|William Hogarth
1788 · Etching and engraving; second state of three · Drawings and Prints
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
Frontispiece to Moliere's "L'Avare" (The Miser)William Hogarth|John Vandergucht|Jean-Baptiste Poquelin Molière
Shoemaker (Le Cordonnier)Abraham Bosse|Jean I Leblond
Clothing BeggarsAbraham Bosse|Jean I Leblond
Clothing Beggars, from "Acts of Mercy"Abraham Bosse|Jean I Leblond
Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste Tilliard|Pierre Didot l'ainé
The BarberAbraham Bosse|Jean I Leblond
The Patriotick Barber of New York, or the Captain in SudsR. Sayer and J. Bennett|Philip Dawe
The Prodigal Son Changes His ClothesAbraham Bosse|Jean I Leblond
Hudibras Catechized (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 14)Samuel Butler|William Hogarth
Death of the Rich Man (La Mort du mauvais riche)Abraham Bosse|Jean I Leblond
Frontispiece for Fanny Burney's "Evelina": Mr. Lovel Bitten in the Ear by Captain Mirvan's Monkey, vol. IIIFrancesco Bartolozzi|John Hamilton Mortimer|T. Lowndes|Frances Burney