Nicholas Amhurst|William Hogarth
June 1726 · Etching and engraving · Drawings and Prints
A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
The Prodigal Son Changes His ClothesAbraham Bosse|Jean I Leblond
Frontispiece to Moliere's "L'Avare" (The Miser)William Hogarth|John Vandergucht|Jean-Baptiste Poquelin Molière
The Sleeping CongregationWilliam Hogarth
Banquet of the Piacevoli, various men are seated at long tables around the perimeter of a large room, a man seated to the right giving a dog table scraps, curtains are draped around the image, Medici coat of arms at top centerStefano della Bella
Banquet of the PiacevoliStefano della Bella|Cardinal Gian Carlo de' Medici Bishop of Sabina
The New Metamorphosis, Plate 2: Fantasio at ChurchWilliam Hogarth|Lucius Madaurensis Apuleius|Charles Gildon
The Prodigal Son Changes ClothesAbraham Bosse|Jean I Leblond
The South Sea SchemeWilliam Hogarth
The Industrious 'Prentice Performing the Duty of a Christian: Industry and Idleness, plate 2William Hogarth
Hudibras and the Lawyer (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 12)William Hogarth|Samuel Butler
The Pit Door / La Porte du ParterreCarington Bowles I|Robert Dighton the Elder