Anonymous, 16th century|Master of the Die|Raphael (Raffaello Sanzio or Santi)
ca. 1540–60 · Engraving · Drawings and Prints
Allegory of Marriage and Love; Juno in a chariot drawn by peacocks at left, Venus in a chariot drawn by three doves at the rightMaster of the Die|Raphael (Raffaello Sanzio or Santi)
Juno frightened by the Furies, set within a decorative frame, from "Loves, Rages and Jealousies of Juno"Giulio Bonasone
Venus riding a conch at left and cowering man (Jason) at right, Eros riding a makeshift boat holding a bow between themAnonymous, 16th century|Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)
Neptune in his Chariot being drawn by seahorses, from the 'Division of the Universe'Giulio Bonasone
Plate 18: Illustration to Canto XVIII, from Torquato Tasso's 'Gerusalemme liberata III'Antonio Tempesta
Medea Pours a Magic Potion over Jason (Le roi Aeson tant caduque et chénu en une cuve elle couche tout nu...), from "Jason and the Golden Fleece"René Boyvin|Leonard Thiry
Eros in the SeaAgostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)
The Nymph of FontainebleauRené Boyvin|Pierre Milan
The Genius of CastiglioneGiovanni Benedetto Castiglione (Il Grechetto)|Matthys van de Merwede, Lord of Clootwyck|Giovanni Giacomo De Rossi
Sacrifice of Isaac: an angel presses against the dagger-bearing arm of Abraham, who stands next to Isaac on an altar, God the Father and an angel bearing a lamb approach from the leftPietro Testa
Composition with three figure groups: at left a woman struggles with a male assailant, at center a female satyr and male satryr sit upon a pedestal, at right putti surround two young satyrs riding a goat, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dancesPierre Brebiette|François Langlois
PhaetonAgostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)