Louis Léopold Boilly|Gror
ca. 1805 · Etching with roulette and wash manner · Drawings and Prints
Second Scene of ThievesLouis Léopold Boilly|Gror
First Scene of ThievesLouis Léopold Boilly|Gror
Second Scene of ThievesLouis Léopold Boilly|Gror
Le VerrouJean Honoré Fragonard|Maurice Blot
A Femme avare galant Escroc, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"Jean Honoré Fragonard|Jean de La Fontaine|Jacques Aliamet|Pierre Didot l'ainé
Plate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)Goya (Francisco de Goya y Lucientes)
Le Couronnement D'Épines (The Crowning with Thorns), from "La Grande Passion" (The Large Passion)Jacques Callot
Le Couronnement D'Épines (The Crowning with Thorns), from La Grande Passion (The Large Passion)Jacques Callot
Contes et nouvelles en vers: A Femme avare galant Escroc, from "Les Contes de la Fontaine"Jean de La Fontaine|Jean Honoré Fragonard|Jacques Aliamet|Pierre Didot l'ainé
L'ArmoireJean Honoré Fragonard
A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de BeaumarchaisJacques Philippe Joseph de Saint Quentin|Claude Nicolas Malapeau
The Rest (Le Repos)Jean-Baptiste Le Prince