Nicolas-Toussaint Charlet|Charles Motte
1820–22 · Lithograph · Drawings and Prints
Le Pate d'Anguilles, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"Jean de La Fontaine|Jean Honoré Fragonard|Jean-Baptiste Patas|Pierre Didot l'ainé
Reverse copy of Chaudronier Chaudronier (Boilermaker Boilermaker), from Le Cris de Paris (The Cries of Paris), plate 2François Boucher|Simon Francis Ravenet, the elder
The Coke and Perkin (The Cook's Tale, Chaucer's Canterbury Tales)John Hamilton Mortimer|Francis Chesham
A magician, a soldier and three figures watching a burning skull from the Scherzi di FantasiaGiovanni Battista Tiepolo
A Peasant Replying: "Dats niet"Rembrandt (Rembrandt van Rijn)
Counterfeit Confederate Notes Publicly Offered for Sale in the "City of Brotherly Love" (from Confederate War Etchings)Adalbert John Volck
Entry, or Lord Fat Cheeks (Entrée, ou Milord-Gorju)Nicolas-Toussaint Charlet|Charles Motte
Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), from Le Cris de Paris (The Cries of Paris), plate 3François Boucher|Jacques Philippe Le Bas
Plate 25 from 'Los Caprichos': If he broke the pot (Si quebró el cantaro.)Goya (Francisco de Goya y Lucientes)
Caricature of a Fat Man, Seen From BehindGiovanni Battista Tiepolo
Standing Saint (Apostle?)Pedro Duque Cornejo|Anonymous, Spanish, School of Seville, 17th century
Plate 80 from "Los Caprichos": It is time (Ya es hora)Goya (Francisco de Goya y Lucientes)