James Sayers|Charles Bretherton
ca. 1782 · Etching; proof before letters · Drawings and Prints
![L'Enrolement des Troupes (The Enlistment of the Troupes), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles) [second of two supernumary plates]](https://d2pvxr3eb77vb4.cloudfront.net/assets/v1/86/86f8ef40d1ec4be782c486c52b6d1e9780e64b7cec7c47d8300c85c8e559b869/graph.webp)
L'Enrolement des Troupes (The Enlistment of the Troupes), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des Médicis (The Life of Ferdinand I de'Medici also called The Medici Battles) [second of two supernumary plates]Jacques Callot|Matteo Rosselli
CaricatureAnonymous, French, 18th century
Le Gentilhomme au Manteau Posé sur la Hanche (Gentleman with his Mantle on his Hip), from Les Caprices Series A, The Florence SetJacques Callot|Lorenzo de' Medici
Le Gentilhomme au Manteau Posé sur la Hanche (Gentleman with his Mantle on his Hip), from Les Caprices Series A, The Florence SetJacques Callot|Lorenzo de' Medici
Les Adieux, from Le Monument du CostumeJean Michel Moreau the Younger|Restif de La Bretonne|Robert de Launay
Fashion plateUnknown
Costume DesignPierre-Numa Bassaget, called Numa
Costume DesignPierre-Numa Bassaget, called Numa
Le Gentilhomme a la Grande Canne (The Gentleman with the Large Cane), from Les Caprices Series A, The Florence SetJacques Callot|Lorenzo de' Medici
The Foolish Virgins RejectedAbraham Bosse|Jean I Leblond
Costume DesignPierre-Numa Bassaget, called Numa
Caricature of Two Women Seen From BehindGiovanni Domenico Tiepolo