Winslow Homer|Harper's Weekly|Harper & Brothers
August 26, 1873 · Wood engraving · Drawings and Prints
On the Beach – Two are Company, Three are None (from "Harper's Weekly," Vol. XVI)Winslow Homer|Harper's Weekly|Harper & Brothers
"Dad's Coming!" (from "Harper's Weekly," Vol. XVII)Harper & Brothers|Winslow Homer|Harper's Weekly
The Approach of the British Pirate "Alabama" (from "Harper's Weekly," Vol. VII)Winslow Homer|Harper's Weekly|Harper & Brothers
Seesaw, Gloucester, Massachusetts (from "Harper's Weekly," Vol. XVIII)Winslow Homer|Harper's Weekly|Harper & Brothers
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)Goya (Francisco de Goya y Lucientes)
Plate XLIX: Pastoral scene with peasants napping, one resting on a woman under a tree, a soldier approaches at right; from 'Studi di pittura gia dissegnati da Giambatista Piazzetta' after Giovanni Battista PiazzettaGiovanni Battista Piazzetta|Giuliano Giampiccoli
St. Mary Magdalen Reclining in a GrottoClaude Mellan|Guillaume Barclay
The Cradle (Die Wiege)Ernst Barlach
Gathering Berries (from "Harper's Weekly," Vol. XVIII)W. H. Lagarde|Winslow Homer|Harper's Weekly|Harper & Brothers
Lithograph from Baron Taylor's "Voyages Pittoresques"Alexandre Evariste Fragonard|Godefroy Engelmann
Theseus and Ariadne, from 'Game of Mythology' (Jeu de la Mythologie)Stefano della Bella
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7)Sir John Everett Millais|James Stephenson|Henry Graves & Company|William Shakespeare|The Printsellers' Association, London