Abraham Bosse|Gilles Rousselet|Claude Vignon
1647 · Engraving (figure by Rousselet) and etching (background by Bosse) · Drawings and Prints
DéborahAbraham Bosse|Pierre Mariette|Gilles Rousselet|Claude Vignon
DéborahAbraham Bosse|Pierre Mariette|Gilles Rousselet|Claude Vignon
The second movement for bringing the pike on to the shoulder and holding it horizontally, from the Lansquenet series, plate 9, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms)Jacques de Gheyn II|Jacques de Gheyn II
AntiopeAbraham Bosse|Pierre Mariette|Gilles Rousselet|Claude Vignon
ZénobieAbraham Bosse|Pierre Mariette|Gilles Rousselet|Claude Vignon
A Frenchman, Sword in HandAbraham Bosse|Jean I Leblond
Balthasar, after figure in "The Adoration of the Magi" by Jacques BellangeMatthäus Merian the Elder|Jacques Bellange|Jacob van der Heyden
MarianneAbraham Bosse|Pierre Mariette|Gilles Rousselet|Claude Vignon
Rhetoric: a young woman standing in a decorated interior with a caduceus in her right hand and a closed fan in her left hand, from "The liberal arts" (Les arts liberaux)Gilles Rousselet|Grégoire Huret|Pierre Mariette
A gentleman, walking towards the left and drawing his sword from the sheath, wearing a plumed hat and boots with spurs, from "The Garden of the French Nobles In Which One Can Pick Up Their Way of Dressing"Abraham Bosse|Jean de Saint-Igny
A French Christian Woman (Une Dame Chrétienne et Française)Abraham Bosse|Pierre Mariette|Gilles Rousselet|Claude Vignon
Plate 12: Emperor Domitian on horseback, from 'The First Twelve Roman Caesars' after TempestaAntonio Tempesta|Matthäus Merian the Elder