Anonymous, Italian, 17th or 18th century
ca. 1650–1750 · Pen and black ink, brown wash (recto) graphite (verso) · Drawings and Prints
Ornament Design with Alternate Suggestion (recto). Variant Ornament Design with Alternate Suggestion (verso)Giovanni Battista Natali III
Design for a sepulchral monument with a portrait bust; verso: Design for a reliquary (?)Pieter Verbruggen the Younger|Anonymous, Flemish, 17th century|Michiel van der Voort
Design for a Stage Set with Two Thrones (Recto); Landscape (Verso)Anonymous, Italian, 19th century
Design for a Jug with Winged-figure HandleAnonymous, Italian?, 16th century
Design for a sepulchral monument; verso: Design for a sepulchral monumentPieter Verbruggen the Younger|Anonymous, Flemish, 17th century|Michiel van der Voort
Design for a sculptural group with God the Father in a nichePieter Verbruggen the Younger|Anonymous, Flemish, 17th century|Michiel van der Voort
Design for One Half of an Altar, with an Angel (of the Annunciation) at the leftAnonymous, Italian, Piedmontese, 18th century
Design for a sepulchral monument with an allegory of Time; verso: Architectural sketch and fragment of a letterPieter Verbruggen the Younger|Anonymous, Flemish, 17th century|Michiel van der Voort
Young Man Approaching Old Bearded Man Who Stands on Steps (recto); Male Nude with Bent Right Knee (verso)Anonymous, Spanish, School of Seville, 17th century
Left Half of the Design for an AltarAnonymous, Spanish, 17th century
Fragment of a Design for an Overdoor with Seated Angel Supporting Cartouche, and Seated Putto Holding Garland (recto); Fragments of a Cartouche? (verso)Anonymous, Italian, Roman-Bolognese, 17th century
Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?)Giovanni Battista Natali III