Anonymous, Italian, 17th century
17th century · Pen and brown ink, over traces of graphite underdrawing (recto); pen and brown ink (verso) · Drawings and Prints
Sketches of a Funeral Monument, a Niche with Statues, a Helmet in the Shape of a Human Head, an Entablature and a Female StatueMichelangelo Buonarroti
Recto: figure and head-studies (including Bacchus); Verso: four main figure studies repeated from the rectoBartholomaeus Ignaz Weiss
Studies for Five Figures of Angels Standing, and Seated on CloudsAnonymous, Spanish, School of Seville, 17th century
Allegory of Religion (God the Father above, Faith, Hope, and Charity below)Ludovico Lana
Saint Michael the Archangel and Another Figure Recommending a Soul to the Virgin and Child in HeavenBartolomeo Biscaino
Studies for Grotesque Decorations (Recto); Small Sketches and Writing (Verso)Anonymous, Italian, 17th century
Saint Cecilia, Saint Mary Magdalen, Saint Catherine of Alexandria, and Saint Agnes, Angels with Palm Branches and Crowns Above (recto); Sketches of Three Standing Figures and Arithmetic Calculations (verso)Panfilo Nuvolone
Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso)Giovanni Larciani ("Master of the Kress Landscapes")|Bartholomaeus Ignaz Weiss
Virgin of the Immaculate ConceptionAnonymous, Spanish, School of Seville, 17th century
Studies of draped female and male figures; verso: Studies of draped female figuresBartholomaeus Ignaz Weiss
Study for a Judgment of Paris and Other Figure StudiesSalvator Rosa
Sheet with multiple Designs: Figurative Scene with Two Women (top) and Two Satyrs Playing Horns, Seated Back to Back (bottom) (recto); Three Candelabra Grotesques (verso)Andrés de Melgar