William Blake|Rudolph Ackermann, London|Luigi Schiavonetti|Robert Blair
March 1, 1813 · Engraving · Drawings and Prints
Death's Door, from "The Grave," a Poem by Robert BlairWilliam Blake|Robert Blair
Mourir C'est Renaitre (Death and Immortality)Robert Blair|William Blake
The Soul Exploring the Recesses of the Grave, from "The Grave," a Poem by Robert BlairLuigi Schiavonetti|Rudolph Ackermann, London|William Blake|Robert Blair
Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli archi del medesimo v'è il canale, per cui si conduceva l'acqua in Roma), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)Giovanni Battista Piranesi
Oedipus and the Sphinx, after IngresClaude-Ferdinand Gaillard|Jean Auguste Dominique Ingres
Ruins of an ancient tomb in front of ruins of an ancient aqueduct (Ruine di Sepolcro antico posto dinanzi ad altre ruine d'un Aquedotto), from "Prima Parte di Architettura, e Prospettive"Giovanni Battista Piranesi
The Seated Nymph (Une fontaine avec une naïade assise sur une conque)Jean-Baptiste Marie Pierre
'Temporalis Aeternitas', four scholars amongst ruinsGiovanni Benedetto Castiglione (Il Grechetto)|Giovanni Domenico de Rossi
Reverse copy of Au Vinaigre (Vinegar), from Le Cris de Paris (The Cries of Paris), plate 6François Boucher|Simon Francis Ravenet, the elder
Banditti at MarketJohn Hamilton Mortimer|Robert Blyth|William Richardson
Enjoying Domestic HappinessRobert Blyth|John Hamilton Mortimer
The Disciples at the TombJean Honoré Fragonard|Jacopo Tintoretto (Jacopo Robusti)