Goya (Francisco de Goya y Lucientes)
1799 · Etching, burnished aquatint, drypoint, burin · Drawings and Prints
Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album 'B'Goya (Francisco de Goya y Lucientes)
Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)Goya (Francisco de Goya y Lucientes)
Woman with a Fan Viewed from the RearThéodore Roussel
Standing Saint (Apostle?)Pedro Duque Cornejo|Anonymous, Spanish, School of Seville, 17th century
Plate 28 from "Los Caprichos": Hush (Chiton)Goya (Francisco de Goya y Lucientes)
Reverse Copy of Le Mendiant a la Jambe de Bois (The Beggar with the Wooden Leg), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)Jacques Callot|Anonymous
A scene of necromancy: a woman bearing a vessel, a turbaned man, and a soldier look toward a pedestal upon which a skull and limb bone are burning, a bearded male figure's face is visible behind the group, from the series 'Turns of fantasy' (Scherzi di fantasia)Giovanni Battista Tiepolo
Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)Goya (Francisco de Goya y Lucientes)
A bearded, seated man looks over his right shoulder toward a child and woman bearing a vessel, possibly a variation on a theme of Armida and Adraste from 'Jerusalem delivered' (Gerusalemme liberata)Giovanni Domenico Tiepolo|Giovanni Battista Tiepolo
Monkey Despot, from Monkey-Ana or Men, in MiniatureThomas Landseer|Moon, Boys & Graves
A Peasant Replying: "Dats niet"Rembrandt (Rembrandt van Rijn)
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)Goya (Francisco de Goya y Lucientes)