Honoré Daumier
1844 · Lithograph on wove paper with inscriptions in pen and brown ink; caption in pen and brown ink on a separate piece of paper glued below print · Drawings and Prints
"Ne laissez donc pas vôtre ami dans cet état-là!..," plate 4 from the series Vulgarités, published in Le CharivariAubert et Cie|Honoré Daumier
Why Not? . . . Once is Not to Make a Habit of ItHenri de Toulouse-Lautrec|Edward Ancourt|L'Escarmouche
A Day When You Do Not Pay–Twenty-Five-Degree Heat (Un jour ou l'on ne paye pas. Vingt-cinq degres de chaleur ), from Le Public du Salon, published in Le Charivari, May 17, 1852Honoré Daumier|Charles Trinocq|Maison Martinet-Hautecoeur, Frères
Walk-through of an influential critic, from 'Sketches from the Salon,' published in 'Le Charivari,' June 24, 1865Aaron Martinet|Honoré Daumier|Destouches
Which Way Shall I Turn Me? How Can I Decide?Thomas Rowlandson|Henry Brookes
What the bourgeois calls a slight distraction, from 'The good bourgeois,' published in "Le Charivari"Honoré Daumier|Aubert et Cie|Aubert et Cie
John Bull and Uncle SamJohn Leech
Réjane and Galipaux, in Madame Sans-GéneHenri de Toulouse-Lautrec|Edouard Kleinmann
Un Candidat, plate 48 from the series Caricaturana, published in Le CharivariAubert et Cie|Honoré Daumier
Cristi,... v'là-t-y un boeuf qui est bien fait!..., from Exposition de 1859, published in Le Charivari, May 4, 1859Honoré Daumier
Street Scene from Vanity Fair, with Amelia, George Osborne and Dobbin (recto); Sketch of Young Woman (verso)William Makepeace Thackeray|Jerry Barret
La Tige, Moulin RougeHenri de Toulouse-Lautrec|Edouard Kleinmann